Pens and passports

Preparing for Poznań's Urban Sketchers Symposium 2025

It's official – this August, I'll be packing my sketchbooks and heading to Poland for the Urban Sketchers Symposium in Poznań! For those unfamiliar, Urban Sketchers is a global community of artists who practise on-location drawing, we capture the world around us one sketch at a time. The annual symposium brings together sketchers from around the world for workshops, sketch walks, and the pure joy of creating seeing the world together.

The golden ticket

Getting registered for the Symposium wasn't exactly a walk in the park. The word I used for it was “harrowing”. When registration opened at midnight NZ time, many thousands of determined urban sketchers from all over the world simultaneously competed for the 450 available tickets. By some stroke of luck (and perhaps some determined refreshing), I managed to secure one of those coveted spots – and later discovered I'm one of only a very small handful of New Zealanders who managed to register. The exclusivity of this opportunity isn't lost on me and why I’m even more determined to make the most of every minute in Poznań.

Symposium workshops

The type of registration I secured allows me to attend up to three workshops. I have locked in with instructors whose work I've admired for years:

Róisín Curé – I've followed Róisín's vibrant work for ages, and can't wait to learn her technique for drawing silhouettes of people using "jewel-toned inks." I'm still not entirely sure how these inks will be transferred to paper (dip pen? fountain pen? thin brush?) so looking forward to this new approach of adding people to my scenes.

Peter Rush – Peter's known for drawing on the backs of packaging materials, which feels both environmentally conscious and creatively liberating. I'm looking forward to experimenting with colored pencils and water colour on unconventional surfaces. I don’t know if I’m meant to be, but I’m collecting emptied packaging already.

Andrew James – Andrew's unique approach to urban scenes inspires me, and I'm eager to absorb his way of looking at lines, angles and perspective.

The Symposium in Auckland taught me how full-on the three days will be with workshops as well. These workshops align perfectly with my goals for the symposium:

  1. increasing confidence when drawing people

  2. capturing a sketch more quickly

  3. loosening up my overall style.

Poznań preparation

Is the preparation is almost as exciting as the trip itself?

I've invested in an ArtTools folio palette — incredibly light and slender — perfect for travelling light while still having access to a full range of colours. To complement this, I've also purchased the ArtTools A5 pouch, which is already revolutionising my setup.

This compact zippered wallet accommodates pens, brushes, an A5 sketchbook, and even a collapsible cup for water, along with the palette itself. I’ve gone from a backpack to a tote when attending sessions with the Auckland Urban Sketchers.

I've been practicing with this streamlined kit to make it second nature before arriving in Poland. There's nothing more frustrating than fumbling with unfamiliar tools when you've only minutes to capture a scene in a workshop environment.

Travel plans

My non-sketchy sister (I have a traveling companion, how cool is that??) will be joining me on this adventure. We'll fly Qatar Airlines with a stopover in Doha before landing in Warsaw, where we'll spend a couple of half days adjusting to the time zone. Then it's onto the train to Poznań.

I asked my sister if she’d like to join me on the trip she said “Why wouldn’t I want to go to a country whose national bread is a croissant!”

Personal goals

Urban sketching is about capturing life as it happens, which requires both technical skill and confidence. I currently feel a bit hesitant in several areas that I'm determined to improve:

  • Drawing people has always intimidated me — they move, they notice you sketching them, and their proportions can be unforgiving if you get them wrong. But people bring urban scenes to life, and I'm ready to face this challenge head-on.

  • I also tend to get caught in details, which I love but slows me down considerably. By the time I've carefully rendered one building, the light has changed or the moment has passed. Learning to work more quickly and capture the essence of a scene is a priority.

  • Finally, I hope to loosen up my style overall. There's a freshness and energy to more gestural, less precious approaches to urban sketching that I admire in others but haven't fully embraced myself.

Being surrounded by hundreds of other sketchers — from beginners to professionals — creates an energy that's impossible to find elsewhere.

While I'm in Poznań I'll be sharing sketches and experiences primarily through my @sketchparklife Instagram channel. I'm also planning to capture video with the hope of uploading to YouTube but we’ll see how we go on that one.

Next steps

August feels simultaneously too far away and so close. There's still preparation to be done, skills to hone, and supplies to organise. Flights and accommodation are booked and paid for so that’s a major travel preparation milestone passed.

Mostly though, there's anticipation. Anticipation for that unique feeling of sitting on a street corner in a foreign city, sketchbook open, surrounded by others who understand exactly why you're there and what drives you to put pen to paper.

I'll be posting follow-up articles during and after the symposium to share what I've learned, sketches I’ve done and any stories I am bound to have.

Stay tuned!

My sketching weekend in New Plymouth

This past weekend was pure creative bliss as I joined "That Weekend in New Plymouth" with Urban Sketchers Taranaki. I packed my minimal sketching kit from ArtTools (more on that in a future post) and spent three glorious days drawing alongside nearly 30 fellow sketchers from across New Zealand.

The joy of urban sketching community

First, I have to say how brilliantly Urban Sketchers Taranaki organised the weekend. They curated a perfect selection of sketching locations throughout New Plymouth, each offering something unique to capture. The mix of architecture, coastal views, park-surrounds and urban landscapes inspired everyone to draw, regardless of their preferred subject matter, medium, or experience.

What made the weekend truly special was connecting with sketchers from across New Zealand including from Wellington, Lower Hutt, Hawkes Bay, Taupo, Tauranga, Auckland, and of course, the local Taranaki artists. There's nothing quite like the energy of sketching with people who understand what the dealio is.

What I learned during my New Plymouth sketching adventure

1. Join your local sketching group

I've always known this, but the weekend reinforced just how enriching it is to sketch with others. Watching different approaches, sharing techniques over, and the friendly conversations between drawing sessions all add dimensions to the experience that solo sketching just can't provide.

Especially when you're feeling creatively stuck, there's nothing better than surrounding yourself with fellow sketchers to reignite your enthusiasm. I came home with renewed energy and several new techniques to try after seeing how others approached similar scenes.

2. You don't need tons of equipment

My personal sketching revelation this weekend! Okay so I’ve known this for a long time, even when I’m hauling my hefty backpack from pillar to post with materials I have never and will never use. I noticed the sketchers whose work I most admired often had the most straight-forward kits.

I also picked up some clever storage ideas from other sketchers – repurposed cosmetic bags, custom easels, and even the sleeve to protect a palette made from the leg of an old pair of jeans I'm definitely going to copy!

3. Test your colour before committing

Keep a small scrap of paper handy to test colours before applying them to your sketch prevents those "oh no!" moments.

This simple habit ensures:

  • The colour matches what you envisioned

  • The intensity is appropriate

  • The water-to-pigment ratio works for your needs

This works for medium other than watercolour too.

After watching a fellow sketcher tap his brush against the scrap of paper before committing it to his page, I realised how this simple habit could have saved me in so many past experiences of too much pigment on my brush.

4. Have courage to share your work

The "Throwdown" (where everyone places their sketchbooks on the ground for a group viewing) is a core part of drawing with an Urban Sketching Chapter. Placing work next to sketchers long admired on Instagram can make you feel pretty vulnerable.

But the warmth and enthusiasm with which everyone viewed each other's work reminded me why this practice is so valuable. Every perspective is valid – some sketchers captured precise architectural details, others conveyed mood through loose washes, and some told stories through their compositions.

5. Draw every day

Perhaps the most important takeaway, reinforced by every conversation with sketchers whose work I so admired was that they draw daily, without exception.

A consistent daily practice builds the neural pathways and muscle memory that enables confident, expressive mark-making when next you need it.

I'm renewing my commitment to daily sketching, even if it's just five minutes with a ballpoint pen on a receipt while waiting for my coffee to cool down. No fancy materials required – just the discipline to put pen to paper every single day.

Question: Is it Liz Steel who draws the same house across the road every morning? or did I dream that?

Coming home inspired

My drive home concocted this blog post. I was tired and satisfied with a wonderful weekend. The weekend was a test of sorts, to determine what to concentrate on before going to Poland in August for the Urban Sketchers Symposium in Poznan.

I came away with a list of weaknesses I need to work on if I want to get the best out of the Symposium - not the least of which is an improvement to my physical fitness. Drawing for three days takes some energy, that’s for sure.

Huge thanks to Urban Sketchers Taranaki for hosting such a wonderful weekend.

If you're curious about urban sketching, I can't recommend it enough as a way to see the world more deeply, connect with like-minded creatives, and build a regular creative practice. Most cities have local chapters that welcome newcomers – no experience necessary, just bring a sketchbook and something to draw with! check the Urban Sketching site to see if there is a chapter close to you, as well as some resources and inspiration to get you started.